Composition is the arrangement of visual elements within the frame of a photograph.
- Visual Elements: - Line - color - scale - pattern - shade - contrast - shape
Composition depends on structure, balance dynamic.
* THE NINE-GRID ZONE
- Theorem of rule of thirds.
- Each zone needs to produce a different effect in order to be doing its job.
- Most of the zone may exact the same.
* 1. STRUCTURE
- Structural elements: line, position , shape
- Non structural elements : light, texture, perspective, motion
1. Position: we can achieve some effects by positioning.
Weighting toward the bottom.
Center weighted photograph.
Slightly off center weighted toward the top bottom on side.
2. Line and shape: are the building box of the photograph.
They can help you a lot to control the eye of the viewer when exploring your photograph.
> Line: 3 main type: horizontal,vertical,diagonal
- Horizontal line: makes you feel relax, the distant of horizon
- Vertical line: makes you feel the power of height, ex.: building, tree, person specially when the photo is in the portrait format.
- Diagonal line: creates dynamic
Horizontal and vertical lines can be changed into diagonals by changing the viewpoint. They give an image a sense of direction.
The diagonal line is the strongest type of the lines. Use it to guide your viewers eye to your main subject.
> Shape: the shape affects the photograph by 2 ways.
Where it is positive or where it isn't negative. Negative spaces are between the borders of the shape and the borders of the frame.
* 2. BALANCE
- Triangle portrait: Arrange three people in a group picture in such a way that either their faces or their bodies makes triangle. Higher the top, heavier the bottom. Balance is an equal relationship between 2 thing or more.
* 3.DYNAMIC
Dynamic is the movement of a viewers eye as it explores a photograph.
- Ideal Dynamic: 1. begin with the most important subject (primary subject)
2. proceeds to less important secondary subject
3. makes a full circle to the primary subject
In a poorly composed photograph the eye of the viewer may stuck on the secondary subject.
- How can we control dynamic?
1.try to arrange your subject in the front
2.try to make your subject big
3.try to make it near
Implied lines: ex.: someone looking
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